������Ƶ

Caleaf Sellers sees dance as a form of cultural storytelling, and his work preserves the movements of dance as living, evolving expressions of history, culture and joy.

A major effort by a Five College-based museum collaboration to create a shared collections resource for students, researchers and the general public has received a $350,000 boost from the National Endowment for the Humanities.

“I definitely want to stay connected with art, and that’s ultimately where I would love my career to go — working with a museum or within the art field.”

“I was a shy, sort of unaware person from a very conservative town. I was sort of the odd one out there, and then I came here and fell into my people and the things that I want to be doing.”

“I really fell in love with the idea of a [women’s college that’s gender diverse] as a safe place. I really liked that there was a place where I didn’t necessarily have to compete with the male population to be heard.”

������ƵCollege held a special screening of the movie “True Spirit,” followed by a talkback with writer and director Sarah Spillane and producer Debra Martin Chase ’77.

“At ������ƵI found my people and my place — marked by an endless spirit of curiosity. I found the people I felt like I’d been searching for my whole life: passionate, driven, interesting and interested — in me, my story and the things I care about.”

This year ������ƵCollege will hold the one hundredth anniversary of the Glascock Poetry Contest. Established in 1923, the annual contest is the oldest continuously running poetry contest for undergraduate students in the United States.

To gain perspective on the rise of AI-generated art, ������ƵCollege Art History Professor Anthony Lee looked back on the impact photography had on painting in the nineteenth century in a recent Wired Magazine essay.

Love, work and the importance of connection were the overarching themes of a Launching Leadership discussion with ������Ƶalums Suzan-Lori Parks ’85 and Debra Martin Chase ’77 after an electrifying performance of Parks’ play “Topdog/Underdog.”