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Moskowitz, A. 鈥淭he Production of the Subject: Foucault, Marx, and the Ontology of the Market.鈥 Polygraph: An International Journal of Culture & Politics, vol. 27, Feb. 2019, pp. 85-110.


Singer, Kate. (2023). 鈥淔rom It鈥檚 the End of the World as We Know it and I Feel Queer: Mary Shelley, Queer Affect, and Shapeshifting Through The Last Man.鈥 In Chris Washington, Editor, The Last Man: A Norton Critical Edition. W. W. Norton.


Singer, K. (2022). 鈥淪hapeshifting Romantic Consciousness." In Richard Sha and Joel Faflak (Eds.), Romanticism and Consciousness, Revisited (pp. 311-338). Edinburgh University Press.