³ÉÈËÊÓƵ

Each October, the Music Department contributes two concerts to the festivities surrounding the Annual Family and Friends Weekend.

Friday night kicks off the fun with a free Jazz Ensembles concert at Chapin Auditorium, followed by a dessert reception.

On Saturday the Choral Ensembles and the Symphony Orchestra join forces to present a diverse selection of repertoire at Abbey Chapel, culminating with a combined work featuring the Family and Friends Choir. All family members and friends are invited to participate in a fun and engaging rehearsal to sing together and learn the combined piece the morning of the concert.

Monster’s Ball is ³ÉÈËÊÓƵCollege's annual Halloween dance party! The concept is simple: come costumed and dance to waltzes and polkas by the Waltz King himself, Johann Strauss Jr. In between, enjoy featured film scores that are a part of each year's theme. The event is held in our own Abbey Memorial Chapel, artfully decorated in cobwebs and other creepy objects!

A cherished tradition at ³ÉÈËÊÓƵcelebrating light and togetherness on a cold December night.

Instrumental music has been at the core of ³ÉÈËÊÓƵCollege since our founding. Mary Lyon moved a piano into Seminary Hall almost as quickly as she shelved the library’s first books. She believed instrumental music taught young women discipline, provided students with language in a different chord, and — most importantly — she understood that music has the power to console a troubled heart and uplift the human spirit.

The Mary Lyon Concert commemorates the central role of music in ³ÉÈËÊÓƵCollege's history by celebrating the contributions of women musicians and women in general, through music. The programming gives voice to the often under-represented work of women in music.

A re-creation of a live 1940's radio show featuring the ³ÉÈËÊÓƵCollege Big Band, Vocal Jazz, and Chamber Jazz Ensembles.

³ÉÈËÊÓƵCollege and Five College students collaborate with professional musicians and choreographers in operatic adaptations of African Mythology.

A speaker series that explores the work of some of the most active creators and scholars of music today.

This series of panel discussions  explore the performance practice issues regarding the performance of the world’s first opera fully sung in Chickasaw, Jerod Impichchaachaacha’ Tate’s Shell Shaker.